What's on
the rider.

From mood board to plot to render. Full lighting, laser, and effects design that holds up under the artist's lens and the broadcast camera both. Renders that match what shows up on the truck.

Fixture selection, plot, and effects choreography. Beyond programming and pyro integration built into the same showfile so every cue hits on the same beat. Licensed pyro work where the venue allows.

grandMA3 punt files built from clean MVRs and PSR start files. Cued, tracked, and ready for the road. Plays nice with whoever shows up to op — documented, structured, no tribal knowledge.

Hands on the console. Cues run by the team that programmed them — no translation loss between cue list and showtime. Tour and one-off festival days, FOH or LD position.

Look, story, pacing across the whole set. For artists who want one shop owning how the show feels from house lights down to encore. End-to-end ownership of the visual narrative.